Animal Records - Various Artists (Animal 1982)

Lovely compilation of stuff from Chris Stein of Blondie's Animal Records label. Great tracks from The Gun Club, Tav Falco's Panther Burns, Iggy Pop and James White and the Blacks. Snuky Tate was new to me, and I Don't Know Samba is a pretty messed up percussion thing, while Babylon Under Pressure is weird no wave dub. Not sure about Walter Steding though.

Here's some little tasters for you. First up, some of that lowdown swamp rock fromTav Falco, playing live on some late night poker show in 1999:


This is the Gun Club preaching the voodoo blues at the Hacienda in 1983:


Here' s a clip from Downtown 81. This film was shot in the '80s, starred Jean-Michel Basquiat and featured a host of New York musicians and artists including Fab Five Freddy, James Chance, Debbie Harry and DNA. This clip features James White and the Blacks and Walter Steding in the Mudd Club:


Tracklist:

01 The Gun Club - Run Through the Jungle
02 Walter Steding - Dancing in Heaven
03 Panther Burns - Panther Man
04 Iggy Pop - The Horse Song
05 The Gun Club - Like Calling Up Thunder
06 Panther Burns - I'm On This Rocket
07 Iggy Pop - The Villagers
08 Walter Steding - All the Way
09 Snuky Tate - I Don't Know Samba
10 James White & The Blacks - The Twitch
11 Snuky Tate - Babylon Under Pressure
12 James White & The Blacks - Irresistable Impulse

Get it HERE.

Flaming Demonics

Hey ho, let's go...today's musical offering is my favourite album from the demented, sax wielding standard bearer of New York's No Wave scene. James Chance was a founder member of Teenage Jesus & The Jerks along with Lydia Lunch, before going on to front a number of great bands who came to more or less define the confrontational and nihilistic attitude of much of the art coming out of the city in the period:

"If somebody comes to see me, they have to pay. And not just in money… New York people are such assholes - so cool and blase. They think they can sit and listen to anything and it won't affect them. So I decided I just had to go beyond music, and physically assault them… The first time I actually did it, really hurt people, was in Soho. I really fucking hate Soho. It was a benefit for this artsy magazine, and all these artsy-fartsy people were sitting around on the floor - and if there's one thing I can't stand it's people sitting on the floor. See, there was all this room, and no tables, and I figured everybody was going to dance. But they just sat there on the floor… I guess it just sorta went on from there."

James Chance

James Chance's music differs from the noisy avant-punk sounds of the period. After his first album with The Contortions, Chance started to blend the no wave sound with elements of funk, disco and free jazz. By the time we get to the early '80s, Chance's albums are owing as much to Ornette Coleman and Michael Jackson as they are to The Stooges or The Electric Eels. Today's post, James White's Flaming Demonics, is for me, the best example of Chance's high energy, spastic punk-funk, featuring some mindbending scratchy guitar interplay and lots of high pitched free jazz skronk. You also get the narcotic voodoo of I Danced with a Zombie, which is worth 10 minutes of anyone's listening time. I think this album really churns up all the major musical currents that were flowing through New York at the time, and seems to capture the bohemian spirit of places like the Danceteria or the Mudd Club, and I hope you enjoy it as much as I have.

Tracklisting:

A1		The Devil Made Me Do It (8:13)
A2		Boulevard Of Broken Dreams (7:12)
A3		Rantin' And Ravin' (8:53)
B1		The Natives Are Restless (7:39)
B2		Caravan / It Don't Mean A Thing / Melt Yourself Down (8:44)
B3		I Danced With A Zombie (9:54)

You can get the zip here.