Sunday, 12 July 2009

El Gran Combo de Puerto Rico - Disfrútelo Hasta El Cabo (1974)



Fantastic album of salsa and merengue from one of Latin America's most popular orchestras. The songs are great and the band are tight, as you can see:

Check that incredible keyboard player!

Track list:

01 El Son de Santurce
02 La Salsa de Hoy
03 El Cantante del Amor
04 La Melena
05 No Quiero Llanto
06 Mi Merengue con Salsa
07 A Veces Me Preguntan
08 Tremendo Cumban
09 Dugu-Dugu con Saus
10 El Gordito de Oro

Get it HERE.

Tuesday, 7 July 2009

Bohannon - Bohannon's Best (Brunswick 1975)



Hamilton Bohannon was a drummer, a band leader and producer who started out with Motown in 1965 working as a drummer for Stevie Wonder and as an arranger for many of the label's top acts. Bn 1972 Detroit was no longer a booming centre of industry, but a symbol of urban blight and post-industrial decline; poverty, deprivation, rioting and crime all played a part in creating a new image for the city as one of the most dangerous in America. In 1972, Motown Records left Detroit to Los Angeles. Hamilton Bohannon stayed behind to form his own band with other Motown refugees. The resulting music is some of the uncompromising dance music of the era. This stuff was popular in the inner city discos and dancehalls, but there is nothing fluffy about these rhythms. This is hard-edged, stripped down, lean and aggressive dancefloor funk, rough and dirty, the real sound of '70s Motortown.

Here's a little taste:



Track list:

01 The Stop & Go
02 Keep on Dancing
03 South Africa Man
04 Disco Stomp
05 Truck Stop
06 Getting to the Other Side
07 Footstompin' Music
08 Happy Feeling
09 The Pimp Walk
10 Have a Good Day

Get it HERE.

Sunday, 5 July 2009

Ghulam Ali


Here's what wikipedia has to say about the ghazal:

The ghazal (Arabic/Persian/Urdu: غزل; Hindi: ग़ज़ल; Punjabi: ਗ਼ਜ਼ਲ, غزل; Turkish: gazel) is a poetic form consisting of rhyming couplets and a refrain. Each line must share the same meter. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The form is ancient, originating in 6th century pre-Islamic Arabic verse. It is derived from the Arabian panegyric qasida. The structural requirements of the ghazal are similar in stringency to those of the Petrarcan sonnet. In its style and content it is a genre which has proved capable of an extraordinary variety of expression around its central themes of love and separation. It is one of the principal poetic forms the Indo-Perso-Arabic civilization offered to the eastern Islamic world.

The ghazal spread into South Asia in the 12th century under the influence of the new Islamic Sultanate courts and Sufi mystics. Although the ghazal is most prominently a form of Persian poetry and Urdu poetry, today, it is found in the poetry of many languages.

Ghazals were written by the Persian mystics and poets Jalal al-Din Muhammad Rumi (13th century) and Hafez (14th century), the Azeri poet Fuzuli (16th century), as well as Mirza Ghalib (1797–1869) and Muhammad Iqbal (1877–1938), who both wrote ghazals in Persian and Urdu.

...it is not possible to get a full understanding of ghazal poetry without at least being familiar with some concepts of Sufism. All the major historical post-Islamic ghazal poets were either avowed Sufis themselves (like Rumi or Hafiz), or were sympathizers with Sufi ideas. Most ghazals can be viewed in a spiritual context, with the Beloved being a metaphor for God, or the poet's spiritual master. It is the intense Divine Love of sufism that serves as a model for all the forms of love found in ghazal poetry.

Most ghazal scholars today recognize that some ghazal couplets are exclusively about Divine Love (ishq-e-haqiqi), others are about "earthly love" (ishq-e-majazi), but many of them can be interpreted in either context.

Traditionally invoking melancholy, love, longing, and metaphysical questions, ghazals are often sung by Iranian, Afghan, Pakistani, and Indian musicians. The form has roots in seventh-century Arabia, and gained prominence in the thirteenth- and fourteenth-century thanks to such Persian poets as Rumi and Hafiz. In the eighteenth-century, the ghazal was used by poets writing in Urdu, a mix of the medieval languages of Northern India, including Persian. Among these poets, Ghalib is the recognized master.

Ghulam Ali is a ghazal singer from Pakistan, famous across the Indian sub-continent and comfortable singing in Urdu, Punjabi and Nepali. The music on this album is completely mesmerizing, and Ali's voice soars across these songs, beautiful and melancholy.

Track list:

01 Dil Mein ik Leher

02 Koi Sumihai Ye Kiya

03 Ghaam Nahin

04 Raseeley Toray Nain

05 Maine Lakhoon

06 Dost Bankar


Get it HERE.

Or check this:

Friday, 3 July 2009

B.T. Express - Non-Stop (1975)


The Discotizer is here to Funktify ya! This is some killer ghetto funk from the Brooklyn Trucking Express. Dirty disco from the wrong side of the tracks. Guaranteed to get the party started, this album is fun, fun, fun from start to finish.

Track list:

01 Peace Pipe
02 Give It What You Got
03 Discotizer
04 Still Good, Still Like It
05 (They Long To Be) Close To You
06 You Got It I Want It
07 Devils Workshop
08 Happiness
09 Watcha Think About That

Get it HERE.

Wednesday, 1 July 2009

Chief Ebenezer Obey - Miliki Plus (1983)



Excellent compilation of songs from 4 of Obey's early '80s albums. I'm loving the juju sound...Obey's voice is sweet and strong like honey and his band are just incredible. Miliki means enjoyment in the Yoruban language and that just about sums up these perfect summer sounds.

Tracklist:

01 Ere Oloyin Momo
02 Singing for the People
03 What God Has Joined Together
04 Happy Birthday (Celebration)
05 Eiye To Ma Ba Kowe Ke
06 Eyi Yato
07 Oro Mi Ti Dayo
08 Ore Oluwa a Kari

Get It Over HERE.

Monday, 29 June 2009

The Detroit Emeralds - Feel The Need (Westbound 1977)



The title track here will be familiar to many people, gorgeous soulful dancefloor R&B that I'm loving on these warm days. I often find that the b-sides of these '70s soul or funk albums are weaker than the a-side...that's certainly the case here, but side one is pretty great all the way through, though I'm sure you're more than capableof mking up your own mind.

Tracklist:

01 Set It Out
02 Take It or Leave Me
03 Feel The Need
04 Wednesday
05 Love For You
06 Look What's Happened To Our Love
07 Sexy Ways
08 Love Has Come To Me

Get it HERE.

Thursday, 25 June 2009

Electronic Music - Various Artists (Turnabout Records 1967)



I don't know much about modern classical music, Cage and Stockhausen and that academic avant garde stuff, but what I do know is that Luciano Berio's piece 'Visage' is one of the most incredible, confusing and completely psychedelic pieces of music I've ever heard. The piece was composed in 1961 and it is basically a 20 minute tape cut up (a la William Burroughs) of opera singer Cathy Berberian's astonishing voice. To call it a cut up however, is to underplay the stunning complexity of the sound, for the voice is layered and manipulated, pieces of tape are speeded up and slowed down...what is recognisable as human voice is entirely wordless, beyond language, transporting you to a place of pure emotion, or pure thought. This is music to fall into, maybe something like an aural black-hole?

The other tracks are worth a listen too...

Tracklist:

01 Ilhan Mimaroglu - Agony
02 John Cage - Fontana Mix
03 Luciano Berio - Visage

Get it HERE.