

HERE is the final installment of sublime and enchanting sounds from Izenzaren.
sounds from worn grooves
| A1 | Act One - | Tom The Peeper | ||
| A2 | Brothers Guiding Light - | Getting Together | ||
| A3 | Al Downing - | I'll Be Holding You | ||
| A4 | Joe Tex - | Cat Got Her Tongue | ||
| A5 | King Floyd - | Can You Dig It? | ||
| A6 | Aaron Neville - | Hercules | ||
| A7 | Cissy Houston - | Midnite Train To Georgia | ||
| A8 | Annette Snell - | You Oughta Be Here With Me | ||
| B1 | Whispers - | A Mother For My Children | ||
| B2 | Roy C - | Got To Get Enough (Of Your Sweet Stuff) | ||
| B3 | Etta James - | Out On The Streets Again | ||
| B4 | Joneses - | Hey Babe (Is The Gettin' Still Good) | ||
| B5 | Don Covay - | It's Better To Have (And Don't Need) | ||
| B6 | Ohio Players - | Streakin' Cheek To Cheek | ||
| B7 | Dramatics - | Choosing Up On You | ||
| B8 | Little Anthony & Imperials - | La La La At The End |
"The Stukas Boys had gotten their start as a neighbourhood band doing James Brown covers in 1968, nearly two years before their more successful competitors Bella Bella and Zaiko came along. In 1970 the group had improved to the point that it was able to secure a booking at the prestigious Para Fifi night club...and the next year it cut some records. By than a fairly stable core had evolved that included singers Lita Bembo, Lomingo Alida, Kisola Nzita, and Suka Bola, guitarists Samunga Tediangaye and Bongo Wende, and drummer Bakunde IlondjokoHere's a clip of this great band in action on a Saturday night variety show:
Like the Trio Madjesi, The Stukas Boys were known less for their music than for theirgreat live performances. And Zaire's developing show system was made to order for their front man, the incredible Lita Bembo. Young and athletic, Lita...had a workmanlike voice but the instinctive moves of a premier dancer. Once on stage, he alone commanded the audience.
Samunga, barely into his twenties, anchored the band with a flashy lead guitar which he sometimes plucked with his teeth a la Jimi Hendrix. But when the 'showman' Lita Bembo appeared, no one else had a chance. 'The young man will literally dominate the scene,' reported. 'He will make the mike "suffer." Dropping to his knees like a voodoo man in a trance, exhibiting his sacred dance...Lita Bembo proves his skill by showing off his impossible postures.' After his stellar performance at Zaire 74, Salongo declared 'he set the tone for the evening. And the concert he presented to the public brilliantly confirmed his rank as a great star of Zairean music'"

This is a great archive of sounds from that delicious moment when hip hop burst out of New York's ghettoes in a blaze of spangly disco grooves and delerious, sharp tongued swagger. Here's a clip from the 1984 BBC documentary, Beat This, which featured all the great dj's, mc's, breakers and bombers of the time:| 01 | Twennynine Featuring Lenny White - | Twennynine (The Rap) | ||
| 02 | T-Ski Valley - | Catch The Beat | ||
| 03 | Dr. Jeckyll & Mr. Hyde - | Genius Rap | ||
| 04 | Afrika Bambaataa & The Jazzy 5 - | Jazzy Sensation | ||
| 05 | Grandmaster Flash & The Furious Five - | Superappin' | ||
| 06 | Bon Rock & The Rythem Rebellion - | Searching Rap | ||
| 07 | Tom Tom Club - | Rappa Rappa Rhythm | ||
| 08 | Compass Point All Stars - | Peanut Butter |