Sunday, 16 November 2008

Franco et Josky Kiambukuta du T.P.O.K. Jazz - Missile

The Democratic Republic of Congo has been in the news quite a bit lately, short pieces in the broadsheet newspapers and on television telling of the current situation in the troubled nation. We get told about the displaced population, over a million people on the move around the land trying to avoid battles between government troops and rebel forces. We are told about tribal conflict...Hutu rebels, possibly supported by Rwanda. We get to see images of a people living in desperate poverty. Commentators have recently been telling us that this is the world's greatest humanitarian disaster, and all the while Western governments seem reluctant to get involved. Little is said about the region's vast mineral resources that continue to be mercilessly plundered by interests that are certainly not 'tribal'. The wealth created by those who mine the copper and coltan that are essential to the world electronics and communications industries, to the globalised 'network' society, seems to flow everywhere but back into the heart of Africa.

Seeing these images and hearing the news reports, it is easy to imagine that the African people have always lived this way, rolling from one disaster to the next, like children in constant need of parental supervision. Such views obscure Africa's bloody history and Europe's part in it. Brutal colonialism, the scramble for Africa, and years of ruthless economic exploitation have all played a fundamental role in the current desperate situation.

For me, music presents openings to other ways of thinking. The music of the Congo gives us a different view of the country and its people, so today I've posted another fantastic album by Franco et T.P. O.K. Jazz. Franco began recording in the early 1960s and soon became one of Africa's most popular musicians. The newly independent country was entering a period of political turmoil after the assassination of Patrice Lumumba, and Mobutu was consolidating his military power with the help of US and European governments who were worried about the spread of Communism in Africa. Mobutu came to power in 1965, and it is during this dictator's violent reign that Franco, and Congolese music more generally, enjoyed his most fertile period, leading a large orchestra and producing an unprecedented number of records that were hugely successful across the continent. It was during this time that Franco earned himself the title 'Sorcerer of the guitar'. His playing is indeed magical. In 1978 Franco spent time in prison after speaking out against Mobutu's regime. When he came out, the country's declining economic situation meant that the big bands he had been used to leading were no longer viable. The 1980s saw the decline of the Congo's previously vibrant music scene, musicians emigrated and nightspots closed as the country's money dried up.

Currently, 'Congotronics' groups such as Konono No 1 or the Kasai Allstars are enjoying some success with Western listeners:



This is fabulous music, but contrast the scene with this great '70s footage of Franco's band and we get some idea of the distance travelled, of the way the country seems to be sliding backwards, its poverty growing as global demand for its valuable resources increase:



Today's album is from 1982 or '83, and it features a smaller band than those on the other T.P.O.K. Jazz album we posted, its still a stellar listen though with those incredibly intricate duelling guitars snaking their way into the brain.


Tracklisting:

01 Missile
02 Chacun Pour Soi
03 Partage
04 Adieu Je M'en Vais
05 Tu Es Mechante
06 Laissez Passer
07 Ngai Te

You can get the zip over here.

Monday, 3 November 2008

Glenn Branca - Symphony Number 3 (Gloria) 1983


This is Glenn Branca's Symphony Number 3 (Gloria) Music for the First 127 Intervals of the Harmonic Series. Its an extract from a 1983 live performance by one of Branca's early guitar orchestras. This is a relatively small group compared to the ones he was composing for by the early '90s, some of which used up to a hundred guitarists. This particular performance featured a number of musicians who went on to become famous/notorious on the New York no wave/noise scene, including Thurston Moore and Lee Ranaldo (of Sonic Youth) and Michael Gira (of Swans/Skin). The first 20 minutes of this are pretty beautiful, kind of shimmering modern classical sounds, and quite slow moving and stately. Then the drums kick in and it all gets heavy heavy (but in a good way). If you like this then it might be worth checking out Kick to Kill's blog where you can find uploads of the Rhys Chatham box set (which is also very good).

I've posted this as one long mp3 rather cos it works better that way, and you can get it here.

Friday, 31 October 2008

Tyour Gnaoua Avec Abdessalam Allikane

This is a beautiful album of Gnawa trance music - a musical technology that transports the listener/dancer into a liminal realm from which they can perform magical operations and communicate with spirits and the djinn. Gorgeous stuff that just sends you off into a blissful reverie.

Here's a film I made that uses one of these songs as the soundtrack. The images are from Bill Morrison's fantastic film Decasia, which is well worth checking out. The film uses decayed stock footage to present us with a different view of the past, and I think there may be some parallels between this decayed footage and the crackly old sounds that emanate from the old vinyl that is posted by many bloggers, but particularly Excavated Shellac.

You can get the zip of the whole album here.

Thursday, 30 October 2008

Kwaku Baah & Ganoua - Trance (1977)

Rebop Kwaku Baah was a Ghanaian percussionist most famous for his work with Traffic (1971-74) and Can (1977-79). This weird album was recorded in Morocco in November 1976 with gnawa musicians Abdellcada Zef Zef (guembri), Mohamed Ben Hamou Saidi (guembri), Abdella el Hilalli (percussion), and the Ganoua Ensemble on backing vocals. Rebop's great conga playing works well with the gnawa music, and highlights the fact that this Moroccan trance music is not a fixed, static tradition, but a constantly evolving hybrid form. Though I don't like this as much as the Mahmoud Guenya album that I posted last month, it's still well worth a listen.

Side One:

Trance

Side Two:

Hamouda
Ma Haba
Rif Zef Zef
Dervish Jowi

Get the zip over here.

Friday, 24 October 2008

Scratchy old records from the Arabic speaking world

These pieces of vinyl were picked up over 10 years ago in a dirty old second hand shop. They were in a box, surrounded by knick-knacks, broken furniture and old tins filled with gaudy costume jewellery. I bought them for pennies, took them home and played them a couple of times, since then they've sat in a box in my house, surrounded by knick-knacks and broken furniture. The other day I found them, cleaned them up and played them again, hearing them with new ears. I like these scratchy old records. With the cd we're offered the promise of perfect sound forever, but I don't generally want that. I like the imperfection of old vinyl. Maybe its a fetish on my part, but the crackly sounds of old records serve to remind me that these commodities have TRAVELLED...across borders and through time. They've rested awhile in one place or another and then moved on and in the process they've witnessed a changing world. I sometimes like to think of the stories these objects might tell me, of the places they've been and the people they've met. These particular old records come from the Arabic speaking world...this is Arabic pop music from the '50s and '60s and how they came to end up in a junk shop is anyone's guess.

(Somebody has mentioned that this page is confusing, so just to clarify...the label photographs are followed by the songs from that record, ie this photo is of the label of the Om Kalsoum single and the two songs are side 1 and side 2. Hope this helps.)





Om Kalsoum was one of Egypt's most popular singers and her voice is wonderful on these two moody songs.






Pooran was a popular singer in Iran throughout the '50s, '60s and '70s. I'm loving the two songs on this 7", especially side 1 with its air raid siren and dubby echoes. This stuff feels a bit like its beemed in from another planet...Iran of the 1960s possibly?

(Pouran)

Anonymous wrote: "Just so you know, these songs aren't Arabic, they're Persian. The first song is "Sheytoonak" (شیطونک), and the second is "Ghariba" (قریبه), both from the album "Darya Darya" (دریا دریا). The singer is Ramesh (رامش)." Thanks to him for the info!








I have no idea about these last two singles, who they're by or where they're from is a complete mystery. Please comment if you can enlighten me. In the meantime, enjoy these transmissions from a forgotten world.

Note added 29/11/08:

Still not been able to find out who the mystery records are by, but just read a lovely post about Umm Kalthum (or Om Kalsoum as she appears on this record) over at Babe(b)logue. You can read it here, and there's also a whole album of her best recordings to be downloaded.

Wednesday, 22 October 2008

Albert Ayler (with Don Cherry) - Ghosts (1964)


Great free-jazz from 1964 that oscillates between expansive, cosmic sounds and that kind of nervous, skittery free improv that comes on something like a teeth chattering amphetamine comedown. The small band on these European sessions consisted of Albert Ayler (alto sax), Don Cherry (trumpet), Gary Peacock (double bass) and Sunny Murray (all over that drumkit).

Ayler had this to say about his approach to life and music at the time:

My music is the thing that keeps me alive now. I must play music that is beyond this world. If I can just hum my tunes and live like, say, [Thelonious] Monk does, live a complete life like that, just humming tunes, writing tunes and being away from everything-if I could do this, it would just carry me back to where I came from. That's all I'm asking for in life and I don't think you can ask for more than just to be alone and create from what God gives you. Because, you know, I'm getting my lessons from God. I've been through all the other things and so I'm trying to find more and more peace all the time.

Track List:

1.Ghosts (short version)

2.Children

3.Holy Spirits

4.Ghosts (long version)

5.Vibrations

6.Mothers

You can get it here.

Thursday, 16 October 2008

Acid Mothers Temple Family - Do Whatever You Want, Don't Do Whatever You Don't Want





This is a mega-post! Over 3 hours of psychedelic freak-outs from the modern masters of the (free) form. This is a great compilation that's unfortunately now out of print. It came out on the Earworm label back in 2005 then quickly disappeared. Disc one contains an hour long version of Acid Mothers Temple & the Melting Paraiso U.F.O. live favourite Pink Lady Lemonade (You're So Sweet)...and what a sweet treat it is.
Here's a little taste of the electrik kool aid:

Spread across the other two cd's you get a fantastically varied selection of modern psych from Japan, France and the USA. Fursaxa provides a nice modernist madrigal, while we get plenty of the Acid Mother's hallucinogenic mix of prime Blue Cheer-esque riffing, drones, cosmic exploration. While AMT aren't as raw and noisy as many of the Japanese psychedelic underground bands (like High Rise, LSD March, White Heaven, Marble Sheep, or earlier bands like Les Rallizes Desnudes), their blend of beautiful melody and heavy, freaked out noise is always worth hearing. However, some of my favourite stuff on these discs comes in the form of the strange little folky numbers that pepper this fabulous compilation.

Tracklisting:

disc-1

  1. PINK LADY LEMONADE (YOU'RE SO SWEET) / Acid Mothers Temple & The Melting Paraiso U.F.O. *

disc-2

  1. SHIZUKU NO YOUNI / Floating Flower
  2. SO FAR AWAY / Maquiladora
  3. Bésamé La Mucho / Zoffy
  4. DISCO, SPACE, BABY / Kido Natsuki
  5. MON LION / Fursaxa
  6. GANDAKI WARI G.P. / Gopal with Tsuyama Atsushi
  7. GALACTIC BOMBER (ROLL OVER CAPTAIN ULTRA!) / Cosmic Riders*
  8. PARDON MONSIEUR (smash hits mix) /Pardons**
  9. LE LAPIN / Frédérick
  10. HELLO BABY / The Wild Riders*
  11. LOVE POTION 26 / Magic Aum Gigi*
  12. NO MORE RED NIGHTMARE / Tsuyama Atsushi*¡¡
  13. BLUES FOR MRS. TRIPLE H / Alien Social Dance Party*
  14. WHITE ROOM / Zoffy
  15. VALLEY OF THE WIND / Nipponianippon
  16. BRAHMAGNPATIRANA (early mix) / Seikazoku*
  17. UNTITLED (vanishing version) / Father Moo & The Black Sheep*
  18. CAMBOUS / Ueh*

disc-3

  1. CONCURRENCE / Kawabata Makoto & Miyamoto Naoaki*
  2. WHITE FLOWERS ON THE HILLTOP / Shogo-nari with Kawabata Makoto*
  3. PLANET OF SOMNOLENCE / Space Machine with Kawabata Makoto*
  4. UCHU (comet comforter mix)/ Uchu**
  5. DOHKOKU / Tsurubami*
  6. THIRD EYE OF THE WHOLE WORLD (long version) / Acid Mothers Temple & The Melting Paraiso U.F.O.
  7. I WANT YOU TO KISS ME AGAIN / Kawabata Makoto
You can get more in depth information about the disc over here.
You can hear the music here, here and here.