Sunday, 11 December 2011

Black Sun Ensemble - Lambent Flame (1989)



Black Sun Ensemble play the kind of unashamed ultra-psychedelia that can easily slip from the interstellar into fried cliche, but they always seem to just stay on the right side of the line never quite spilling into noodling. When they break into some extended freakout or jam its like being launched into the starry skies of some far off desert land. You can read about the band here.

"It was painful for me to keep my eyes open above a few seconds; the light of day seemed to fill the room with a blinding glare. Yet every object, in the brief glimpse I caught, appeared normal in color and shape. With my eyes closed, most of the visions, after the first chaotic display, represented parts of the whole of my body undergoing a variety of marvelous changes, of metamorphoses or illumination. They were more often than not comic and grotesque in character, though often beautiful in color. At one time I saw my right leg filling up with delicate heliotrope; at another, the sleeve of my coat changed into a dark green material, in which was worked a pattern in red braid, and the whole bordered at the cuff with sable. Scarcely had my new sleeve taken shape than I found myself attired in a complete costume of the same fashion, mediasval in character, but I could not say to what precise period it belonged. I noted that a chance movement -- of my hand, for instance -- would immediately call up a color vision of the part exerted, and that this again would pass, by a seemingly natural transition, into another wholly dissimilar. Thus, pressing my fingers accidentally against my temples, the fingertips became elongated, and then grew into the ribs of a vaulting or of a dome-shaped roof. But most of the visions were of a more personal nature. I happened once to lift a spoonful of coffee to my lips, and as I was in the act of raising my arm for that purpose a vision dashed before my closed (or nearly closed) eyes, in all the hues of the rainbow, of my arm separated from my body, and serving me with coffee from out of dark and indefinite space. On another occasion, as I was seeking to relieve slight nausea by taking a piece of biscuit passed to me by H. E., it suddenly streamed out into blue flame. For an instant I held the biscuit close to my leg. Immediately my trousers caught alight, and then the whole of the right side of my body, from the foot to the shoulder, was enveloped in waving blue dame. It was a sight of wonderful beauty. But this was not all. As I placed the biscuit in my mouth it burst out again into the same colored fire and illuminated the interior of my mouth, casting a blue resection on the roof. The light in the Blue Grotto at Capri, I am able to affirm, is not nearly as blue as seemed for a short space of time the interior of my mouth. There were many visions of which I could not trace the origin.

"There were spirals and arabesques and flowers, and sometimes objects more trivial and prosaic in character. In one vision I saw a row of small white flowers, one against the other like pearls of a necklace, begin to revolve in the form of a spiral. Every flower, I observed, had the texture of porcelain. It was at a moment when I had the sensation of my cheeks growing hot and feverish that I experienced the strangest of all the color visions. It began with feeling that the skin of my face was becoming quite thin and of no stouter consistency than tissue paper, and the feeling was suddenly enhanced by a vision of my face, paper-like and semitransparent and somewhat reddish in color. To my amazement I saw myself as though I were inside a Chinese lantern, looking out through my cheek into the room. Not long after this I became conscious of a change in the visions. Their tempo was more moderate, they were less frequent, and they were losing somewhat in distinctness. At the same time the feeling of nausea and of numbness was departing. A short period followed in which I had no visions at all, and experienced merely a sensation of heaviness and torpor. I found that I was able to open my eyes again and keep them fixed on any object in the room without observing the faintest blue halo or prism, or bar of glowing color, and that, moreover, no visions appeared on closing them. It was now twilight, but beyond the fact of not seeing light or color, either without or within, I had a distinct feeling that the action of the drug was at an end and that my body had become sober suddenly. I had no more visions, though I was not wholly free from abnormal sensations, and I retired to rest. I lay awake till the morning, and with the exception of the following night I scarcely slept for the next three days, but I can not say that I felt any signs of fatigue, unless, perhaps, on one of the days when my eyes, I noticed, became very susceptible to any indications of blue in an object. Of color visions, or of any approach to color visions, there was no further trace; but all sorts of odd and grotesque images passed in succession through my mind during part of the first night. They might have been the dreams of a Baudelaire or of an Aubrey Beardsley. I would see figures with prodigious limbs, or strangely dwarfed and curtailed, or impossible combinations such as five or six fish, the color of canaries, floating about in air in a gold wire cage. But these were purely mental images, like the visions seen in a dream by a distempered brain.

"Of the many sensations of which my body had been the theater during three hours, not the least strange was the feeling I experienced on coming back into a normal condition. The recovery did not proceed gradually, but the whole outer and inner world of reality came back, as it were, with a bound. And for a moment it seemed strange. It was the sensation -- only much intensified -- which everyone has known on coming out into the light of day from an afternoon performance at a theater, where one has sat in an artificial light of gas and lamps, the spectator of a fictitious world of action. As one pours out with the crowd into the street, the ordinary world, by force of contrast with the sensational scenes just witnessed, breaks in upon one with almost a sense of unreality. The house, the aspects of the street, even the light of day appear a little foreign for a few moments. During these moments everything strikes the mind as odd and unfamiliar, or at least with a greater degree of objectivity. Such was my feeling with regard to my old and habitual self. During the period of intoxication the connection between the normal condition of my body and my intelligence had broken -- my body had become in a manner a stranger to my reason -- so that now on reasserting itself it seemed, with reference to my reason, which had remained perfectly sane and alert, for a moment sufficiently unfamiliar for me to become conscious of its individual and peculiar character. It was as if I had unexpectedly attained an objective knowledge of my own personality. I saw, as it were, my normal state of being with the eyes of a person who sees the street on coming out of the theater in broad day."

Havelock Ellis - Mescal: A New Artificial Paradise (1898)



Tracklist:

01 Celestial Cornerstone
02 Da Da Is Gaga
03 Sunset On The Sphinx
04 Three Picks In A Bottle (Somewhere Out There)
05 Leviathan Song
06 Lilith
07 The Burning Lamp
08 Beneath The Sapphire Sky
09 Blues For Rainer

Get it HERE.

Saturday, 3 December 2011

Alain Goraguer - La Planete Sauvage



Lovely, bubbly French psyche soundtrack. You might like it:



Tracklist:

1 Déshominisation (II)
2 Déshominisation (I)
3 Générique
4 Le Bracelet
5 Ten Et Tiwa
6 Maquillage De Tiwa
7 Course De Ten
8 Ten Et Medor
9 Ten Et Tiwa Dorment
10 Ten Est Assomé
11 Abite
12 Conseil Des Draags
13 Les Hommes-La Grande Co-Existence
14 La Femme
15 Mira Et Ten
16 Mort De Draag
17 L'oiseau
18 La Cité Des Hommes Libres
19 Attaque Des Robots
20 La Longue Marche-Valse Des Statues
21 Les Fusées
22 Générique
23 Strip Tease
24 Méditation Des Enfants
25 La Vieille Meurt

Get it HERE.

Saturday, 26 November 2011

Betty Harris - In the Saddle (1980)



Here's a Saturday morning treat for y'all! Forty minutes of fierce and funky R&B from the Queen of New Orleans Deep Soul. These songs are raw and heartfelt and Betty's incredible voice are perfectly complimented by Allen Toussaint's gritty production.




Tracklist:

01 Ride Your Pony
02 Show It
03 What A Sad Feeling
04 Take Care Of Your Love
05 I'm Gonna Git Ya
06 Nearer To You
07 What'd I Do Wrong
08 Trouble With My Lover
09 Twelve Red Roses
10 I'm Evil Tonight
11 Cry To Me
12 I'll Be A Liar
13 There's A Break In The Road
14 All I Want Is You
15 I Can't Last Much Longer
16 Mean Man

Get it HERE.

Wednesday, 23 November 2011

Street Sounds Crucial Electro - Various Artists


This is a really classy collection of hot electro-funk tunes from 1984. Should bring back some sweet memories for all you folks old enough to remember Afrika Bambaataa, polyester tracksuits and body popping.

This music sounds so fresh, futuristic and progressive its easy to forget that these tracks were produced in some of America's most impoverished ghettos - the Bronx, Detroit, Washington D.C. - at a time when the Reagan's brutal individualism and predatory capitalism were deepening the divisions between communities and between the haves and have-nots. Fortunately, people find ways to express themselves even in the most desperate of times and this music is a testament to that; as Twilight 22 put it:
Huh, deep in the city people live in the streets
You got to be careful of everyone you meet
There’s lootin and shootin’, people stabbin’ and grabbin’
The innocent bystander the police are grabbin’

Ain’t it a pity ‘cause you hate the city
But the way you feel ain’t no big deal
You’ve got to survive and that the real nitty gritty
You go uptown, downtown, you’ve got to turn your life around (Huh)

Back in the jungle a man is free
Free from the street, from captivity
Break out, break in, it doesn’t matter where you’ve been
Snake pit, lion’s den, you need someone to be your friend
My first exposure to this stuff came when I was a schoolboy in 1984 when Channel 4 (I think) showed this fabulous documentary:



Tracklist:

01 Tyrone - Brunson The Smurf
02 Warp 9 - Light Years Away
03 Warp 9 - Nunk (New Wave Funk)
04 Man Parrish - Hip Hop, Be Bop (Don't Stop)
05 Herbie Hancock - Rockit
06 Twilight 22 - Electric Kingdom
07 Cybotron - Clear
08 Hashim - Al-Naafiysh (The Soul)
09 Captain Rock - Return Of Captain Rock
10 Time Zone - Wild Style

Get it HERE.

Monday, 7 November 2011

An Evening with Snap Crackle & Pop Volume 1



It's strange how elastic time has become, or maybe has always been. I've been posting here at Snap, Crackle and Pop for just over three years now so I thought it was HIGH TIME for a little mix - around my musical world in 75 minutes or so.








Here is the tracklist, and you'll find that clicking on the artist's name will take you to the original post. Handy eh?

Tracklist:

01 Nico Pourvu & His Romanian Orchestra - Doina de la Titu (Romania)
02 Manitas de Plata - Maure Eglise (Spain)
03 Unknown Artist - Mahjoula (Morocco)
04 Sabah - Dakhlak Tell ou Hakina (Lebanon)
05 Archie Shepp - Blase (USA)
06 Stock, Hausen & Walkman - Gruel (UK)
07 Erkin Koray - Cemalim (Turkey)
08 Simon Jurad - Ambiance Nous (Martinique)
09 R.D. Burman - Dum Maro Dum (India)
10 M'Pongo Love - Ede (Democratic Republic of the Congo)
11 Tabu Ley - Dialogue (Democratic Republic of the Congo)
12 Ann Peebles - Do I Need You? (USA)
13 The Peddlers - On a Clear Day (UK)
14 King Sunny Ade - Akura Nile (Nigeria)
15 Tony Tuff - Jah Almighty (Jamaica)
16 Marehemu George Mukabi - Bibi Mama Ngani Mzuri (Kenya)
17 Los Guaraguao - Juventud Adelante (Mexico)
18 Conjunto Sol Del Peru - Paras Shayan (Peru)
19 Bongwater - One So Black (USA)
20 Maalem El Mansoum - Uled Bambara (Morocco)

Get it HERE.

Monday, 10 October 2011

An Evening in Cairo - Various Artists (1966)



"It all started with a telephone call and a number of new records. The film star, Ahmed Mazar, rang up his friend, Nadia Loutfi, to say 'hello', and it happened that she was listening to some new songs which had just arrived for her from Beirut. He becomes interested and they listen together over the telephone. They like the songs and express their pleasure over them - so why not have a party? This is exactly what happened and they invited all their friends for a big party where the songs formed the major part of the entertainment, and they spent a wonderful evening.
We, on our part, wanted you to share this evening with them abd this is where the idea of this L.P. can=me into being. As you listen to the conversation on the telephone and to the songs you will also spend one of the most memorable evenings in Cairo."
I'm dubious about all that party talk. Most of the music on the album, beautiful though it is, does not sound like it would go down too well at any party I've ever been to. Maybe its because I don't understand the language, but these songs sound quite sad to my ears. The sound is full of yearning...longing. The music positively aches out of the speakers, whispering of unrequited love and passions unfulfilled, wailing out nameless sorrows and sighing in resignation.


Tracklist:

01 Sabah – Dahlak Tell Ou Hakina
02 Najat Essaghira – Fakkar Ya Habibi
03 Fahd Bellane* – 12 Youm
04 Randa – Vive L'Amour
05 Sharifa Fadel – Yaeish Al Mouallem
06 Fayza Ahmad – Eteraf
07 Samira Tewfik – Allayina Rayatna
08 Abdel Halim Hafez* – Layali And Maoual

Get it HERE.

Wednesday, 5 October 2011

Ratsia - Ratsia (1979)





I picked this up at a car boot sale a couple of weeks ago. It's ritalin sharp, heads down punk rock from Finland. I'd never heard of them before I found this and never knew that Finland had much of a punk scene in the '70s, so you live and learn.
"Ratsia just missed the first wave of punk rock bands, but their first LP is without a question one of the best of the early Finnish punk rock albums.
Before signing to Johanna, Ratsia had already recorded most of the album's songs in their rehearsal place and released them on tape Kloonattu sukupolvi, but it was a good idea to re-record them in a proper studio, now with Rubberduck Jones of Pelle Miljoona & 1980 as a producer. The first single Lontoon skidit had just been released, and very well received, so the expectations were high. And when the LP came out, it definitely wasn't a let-down, it was full of great, catchy and energetic tunes.
Perhaps the album opener Taidetta summarizes the overall spirit: we have our own thing and do things as we see fit, even if it doesn't please the previous generations or is against their views of aesthetics. Also the then hot topic in Finland, idolizing the American stars of the 50's as a part of the rockabilly revival, and the way the trend was forcefed to Finnish teens by marketing consultants, is critizited (Aikakone), but on the other hand they pay tribute to their own heroes New York Dolls (Kaatopaikan enkelit). Lontoon skidit was re-recorded for the album, this time with Hepa Halme on saxophone. The new version is good and differs little from the single version, but still the original single version is better. There are also two cover tracks, Stiff Little Fingers' Wasted life (Ne ei haluu kuunnella) and The Clash's 48 hours (48 tuntia), both good renditions of the originals.
In the next couple of years Ratsia moved on from the original punk rock style, made two more (different but good or goodish) albums, and broke up. This first album was probably their greatest achievement, and it's a true crime that it still hasn't been re-released (on CD or otherwise)."
Jarkko Kuivanen, Finnmusic.net


Teenage lightning!

Tracklist:

01 Taidetta
02 Yksin
03 Ole hyvä nyt
04 Päästäkää mut irti
05 Aikakone
06 (Mä haluun) R-E-AKTION!
07 Kaatopaikan enkelit
08 Lontoon skidit
09 Ne ei haluu kuunnella
10 Idolit
11 48 tuntia
12 Pikkuaikuinen
13 Ajat sitten luopuneet
14 Me noustiin kellareistamme

Get it HERE.